I can feel the 60S looming. In my profession, I've just moved along with my age. By thinking in decades, rather than whether someone's 42 or 47, you can give yourself a whole 10 years to turn yourself around in.
You cannot simply put something new into a place. You have to absorb what you see around you, what exists on the land, and then use that knowledge along with contemporary thinking to interpret what you see.
Writers want to summarize: What does this mean? What did we learn from this? That's a very 19th-century way of thinking about art, because it assumes that it should make our lives better or teach us something.
The worst thing is always thinking of titles for records, with some reason behind them, and she just came out with the word, which she thought was a good word, a hard word, and since then we've sort of attached loads of meaning to it.
In jazz, you listen to what the bass player is doing and what the drummer is doing, what the pianist and the guitarist is doing, and then you play something that compliments that, so you are thinking simultaneously and thinking ahead.
In symphonic music, when you are conducting, you do the same thing. You are feeling the whole orchestra, thinking ahead so you can prepare for a change.
