I'm from the theater. I never wanted to be a star.
At early previews, the theater gossips are there, wishing you ill every night. They don't grant you any slack. Agents are in from Hollywood. Your friends are there. People who are going to spread the word-of-mouth. If something doesn't work, everyone will know.
Kids now are so used to surround sound and the power in theater speakers, that the concert hall is a disappointment to them.
But as I grew up as a child, falling in love with the theater and Shakespeare, my heroes were Sir Laurence Olivier and Sir John Gielgud.
The knights of the theater represented to me not only the pinnacle of the profession but the esteem in which the profession was held. To find myself, to my astonishment, in that company is the grandest thing that has professionally happened to me.
Wouldn't it be grand if we thought that theater could have that impact on the political life of a country?
It's street theater. You have to make it entertaining so people don't get bored and walk away.
There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.
There's something about the theater which makes my fingertips tingle.
Well, first of all I'll say that I come alive best in theater.
But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That's why I call it the most social of the various art forms.
I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.
I really miss the rehearsal process of theater.
I might be doing a lot more theater, which is kind of what I love, but there's simply no time for.
I started a theater called Steppenwolf. We've been very supportive of the veterans there.