So writing a song is much harder than doing a classical piece for me, because in a classical piece, I can just let the mood dictate what's going to happen.
But when you get to a song, not only do you have to do a vocal melody, you have to write words and not be redundant and make some semblance of a story.
You put a song on the record or on tape and you stop singing it. You just don't sit around and sing it anymore unless you're performing. That's kind of sad.
When I write a song, it's all about the riff - the riff first, then the words come later.
The little song and dance number at the end - that's me, my voice, howling out. It was a new experience for me. I've never sung before and I've certainly never sung on screen. I think I sung on stage when I was 13 and for some reason nobody's asked me to try it again since.
Every song is like a painting.
The people at the record company had asked me if I could write a song about my life, my relationship with God, and where I'm from. Well, I can't write a song on purpose, my songs come in a moment of inspiration or desperation.
People try to keep their past, like kind of holding on to their past. Every Springsteen song talks about that.
Like an opera singer, I am able to sing out my song in paint.
I'd stop in the middle of a gun fight and sing a song.
Great music is its own movie, already. And the challenge, as a music fan, is to keep the song as powerful as it wants to be, to not tamper with it and to somehow give it a home.
I have yet to write that one song that defines my career.
Beck said he didn't believe in the theory of a song coming through you as if you were an open vessel. I agree with him to a certain extent.
I don't set goals for myself too much, but I'm always trying to write that one great song.
A song that sounds simple is just not that easy to write. One of the objectives of this record was to try and write melodies that continue to resonate.