America, when it became known to Europeans, was, as it had long been, a scene of wide-spread revolution.

We do not support the man. We do not support the individual. We support the idea of independent revolution in the Western Hemisphere, free from American intervention.

Power is not a means, it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship.

No advance in wealth, no softening of manners, no reform or revolution has ever brought human equality a millimeter nearer.

One does not establish a dictatorship in order to safeguard a revolution; one makes a revolution in order to establish a dictatorship.

In the last five or six thousand years, empires one after another have arisen, waxed powerful by wars of conquest, and fallen by internal revolution or attack from without.

When the Industrial Revolution of the nineteenth century brought a rapid increase in wealth, the demand of workers for a fair share of the wealth they were creating was conceded only after riots and strikes.

And if there's any hope for America, it lies in a revolution, and if there's any hope for a revolution in America, it lies in getting Elvis Presley to become Che Guevara.

I think the human race made a big mistake at the beginning of the industrial revolution, we leaped for the mechanical things, people need the use of their hands to feel creative.

You can jail a Revolutionary, but you can't jail the Revolution.

The revolution has always been in the hands of the young. The young always inherit the revolution.

So far as the economic condition of society and the general mode of living and thinking were concerned, I might claim to have lived in the time of the American Revolution.

I think there was a revolution in poetry, associated chiefly with Eliot and Pound; but maybe it is of the nature of revolutions or of the nature of history that their innovations should later come to look trivial or indistinguishable from technical tricks.

Revelation can be more perilous than Revolution.

This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer's art-and that came in after the civil wars following the French Revolution.