What we call a poem is mostly what is not there on the page. The strength of any poem is the poems that it has managed to exclude.
Criticism starts - it has to start - with a real passion for reading. It can come in adolescence, even in your twenties, but you must fall in love with poems.
Why does one always ask a writer why they stopped? I am sure everyone finds in any drawer a few dear poems.
All I wanted to do was write - at the time, poems, and prose, too. I guess my ambition was simply to make money however I could to keep myself going in some modest way, and I didn't need much, I was unmarried at the time, no children.
I like poems you can tack all over with a hammer and there are no hollow places.
I was very committed to the process of composing, working at poems, putting things together and taking them apart like some kind of experimental filmmaker.
I didn't think about whether I was writing poems. I was thinking. And the more I was thinking, the more there was I didn't understand.
The ancient Greek oral poets all had this anxiety about the deficiencies of their memories and always began poems by praying to the Muse to help them remember.
If I wasn't writing poems I'd be washing my hands all the time.
There's one of my new poems actually - is a good example of where my poetry has ended up. My earlier river poetry was more like a cross between Shelley and Dylan Thomas.