If we had, we would have realised sooner that Indigenous organisations are sometimes not the appropriate channel for programmes to help the stolen generations, because many of them play little part in Indigenous associations.
Acting is an art form and you want to take roles that are challenged and it's more of a challenge I think to play dark characters. Not that I want to always play those, but it is a challenge and challenges are rewarding and fun.
I think you always hope you can play forever, but you always realize that time will come... I was fortunate I was able to make a decision, move on and do it comfortably.
I tried real hard to play golf, and I was so bad at it they would have to check me for ticks at the end of the round because I'd spent about half the day in the woods.
It strikes me that these days, clubs don't even want players who can truly play any more; they just want athletes, quick guys who don't have a football brain, can just run and run; some of them, Jesus. I can never imagine acting like that.
We used to play baseball back in that field and keep an eye out for the bulls.
I'm over it. You strive to win a Super Bowl and you do everything you can to get there. But being in the Hall of Fame, you never play for that honor. It's incredible.
I was improvising before I was reading music. I was just trying to play things on the clarinet by ear. I think my ear is one of my greatest assets.
I enjoy listening to classical music and heavy metal. I play basketball and try to go diving at least once a year. I don't really have hobbies in the traditional sense... I engage in too many activities already through the actions of my characters.
Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.
I strongly suggest that we play down basics like who influenced whom, and instead study the way the influence is transformed, in other words: how the artist made it his own.
Part of my strength as an actor comes from what I've learned all these years: when you play a villain, you try to get the light touches; when you play a hero, you try to get in some of the warts.
I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life.
When I started to sing, my mother would have me engaged to perform at the Women's Christian Temperance Union national or annual meetings. I would hate doing this because I wanted to play baseball or go off skiing.
I'd be quite excited to play somebody British.