I was able to lean on people for favors and things to help out because their budget was so low. It was half of what John Travolta's perk package is on a film. Our whole budget was half of what his staff makes on a film.
I suppose I'm led to do so by the fact of what happened to my contemporaries - people whom I've admired, people who I thought were ten times better than me when I was in my twenties and early thirties. I may have been right.
And I communed with many different faiths and even when I wanted to be rebellious I never did not believe in Him. I never believed the people who said God was destructive or punishing.
I think people need to understand that with plays and with cinema, when you hear about it, call and get a ticket then or go and see it then. It's especially with the play, which I can do because it's a limited run.
When you feel a connection, a gut connection, a heart connection, it's a very special thing. What's familiar to everyone is watching people falling in love; it doesn't happen on screen that often. People fall in lust, then they're suddenly together.
I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do.
We got touring with the Stones, and people were trying to keep up with Keith. He's like a human machine with a constitution of iron, and they all thought they could do the same.
People often get the wrong impression of Mick. The clever businessman is just one side of Mick. The other side is the same as the rest of us, a true rocker!
