I had four or five years in school training as a soprano. I fell into pop singing because of economics. I got out of high school and had to go work, and they weren't hiring opera singers.
My horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.
Grand opera is the most powerful of stage appeals and that almost entirely through the beauty of music.
Even in today's opera world, the position of the black tenor is problematic.
Watching Italian opera, all those male sopranos screeching, stupid fat couples rolling their eyes about. That's not love, it's just rubbish.
That was more or less coincidental in the sense that my parents wanted me to come back to New York because that's the center of musical activity still to this day, more or less, and so I auditioned for the Metropolitan Opera.
I don't know why a computer game can't be an art form just as a puppet show or an opera is. I'm still interested in computer games as something I would like to work on someday.
One can't judge Wagner's opera Lohengrin after a first hearing, and I certainly don't intend to hear it a second time.
I had a soap opera, and my next job was working with Kyle McLachlan on The Invisible Man.
Opera happens because a large number of things amazingly fail to go wrong.
I like soap opera acting. If it's done really well, there's nothing better. It's old school. It's like what those melodramas in the '30s and '40s were like.
Above all, I am an opera singer. This is how people will remember me.
I want to reach as many people as possible with the message of music, of wonderful opera.
In opera, as with any performing art, to be in great demand and to command high fees you must be good of course, but you must also be famous. The two are different things.
It is so important for people at a young age to be invited to embrace classical music and opera.