Catholic liturgical music, it would seem, is everywhere but in the Catholic Church itself.
Inaudible prayers, particularly of the Canon, which at first don't seem to have anything to do with music, end up being a very important part of the aesthetic of the traditional structure of the Mass.
Even Catholic parishes today are not wanting for talent. But no serious singer or organist will get anywhere near the typical music program, at least if he wants to retain his self-respect.
Ironically, we live in times that are awash in authentic sacred music.
You can count on one hand the number of Novus Ordo churches in this country that feature a fully Catholic music program of any quality, consistent with the Roman rite tradition.
I come from a background of experimental music which mingled real sounds together with musical sounds.
Disco is music for dancing, and people will always want to dance.
I have to admit, I do not listen to much rock music.
Too many of these writers in the music papers, they are misunderstanding everything. The disco sound is not art or anything so serious.
My music was typically continental - nothing like, say, The Beatles.
I saw music as a way to entertain people and take them away from their daily lives and put smiles on their faces, as opposed to what I see it being now, which is a way for me to actually communicate, and a way for me to tap into my subconscious.
Anything I do has to be directly related to my music. If it isn't, I don't really see a point to it.
I was born first to music. But I went into acting because my father knew so much about music he intimidated me. So, I picked an art form, he knew nothing about. So I could be my own man.
I don't limit my taste. There's some jazz that I like and there's some opera. I've been listening to what was essentially country music, but it crossed over to rock.
Traditional songwriting, to us, is where the experimental nature comes in. We're all involved with so much outside activity with really hardcore, experimental music-making.