I do see value in music criticism. Most of the criticism I have received over the years has been very good.
I think Paul McGuinness and U2 created the Irish music industry. It certainly wasn't there before that.
I don't feel comfortable doing interviews. My profession is music, and writing songs. That's what I do. I like to do it, but I hate to talk about it.
Even today, skiffle is a defining part of my music. If I get the opportunity to just have a jam, skiffle is what I love to play.
As a developing musician, skiffle became a platform for me to start playing music.
The first piece of music that captured my imagination was probably Ray Charles Live At Newport.
Skiffle was a name that was attached to what was, in essence, American folk music with a beat.
I like any reaction I can get with my music. Just anything to get people to think. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something.
Music inflames temperament.
The pastor of a parish will typically have no education in the chant or in music, and he will hire the first music director who walks through the door.
When the truth is that there would be no great Western music, and certainly no decent choral repertoire, without the Catholic faith.
For two thousand years, the Church has guided the development of music, carefully legislating to fuse artistic talent and aesthetic beauty with the demands of the Faith.
Thus the slogan should be reversed: Catholics taught the world what music is supposed to sound like, and, more importantly, what it is supposed to mean.
Music had always been the handmaid of the Roman liturgy.
It bothers me when I hear it in a car commercial or some such. But for the most part, it's better than seeing sacred music relegated to the scrap heap.