But in those days - in the mid-'50s, early '60s - there was less than 300 radio stations that were playing country music and a lot of that wasn't full time.
You have to insulate yourself - I'm talking about from everything, people can be talking to you and you won't hear 'em - that's how you write a song. And I haven't been able to do that over here 'cause I'm so busy and then, when I am off, I want to get away from music.
This music has been around since before the beard on Moses. I happed to do it very well and I happen to have a lot of groovy songs that I know people are going to dig. I know more about it than you do.
When I hear music, I fear no danger. I am invulnerable. I see no foe. I am related to the earliest times, and to the latest.
If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.
I've never known a musician who regretted being one. Whatever deceptions life may have in store for you, music itself is not going to let you down.
Musicians own music because music owns them.
Reviewing music or reviewing anything is a writing job. It's nice if you are experienced in the field you are writing about, but writing is what you are doing.
I want people to come to my music without prejudice. I want them to get the music first. And who I am isn't that important. If they like the songs to me that's a good thing.
But music can save your life sometimes. It probably saved me from working in a bank or something. That's a kind of salvation right there.
Extreme volume in music very often disguises a lack of actually important content.
It's kind of scary sometimes, I've seen this a lot in Asia. Children are given music lessons, very intensively I might add and involving great technical expertise sometimes, but you can tell that they have been told only to play happy pleasant music.
If we are able to get inside the music and inhabit it convincingly enough, it will cause everyone to find each other in this new psychological space. And that's most exciting.
Earlier in my life, I performed a lot of music. Some of it because I felt it was a demonstration, or a representation of certain intellectual concepts that were very exciting and important.
But you know in the contemporary art world, you pose a very interesting conundrum. All sorts of people collect very contemporary art, yet when it comes to the music which is analogous to that sort of art, they are not interested, or perhaps even hostile.