I was not a big Allman Brothers fan but I could relate to that because that is what the flavor of the day was at that time - at least it was like that for me.
You can't rely on luck. I've had some stages in my career where I've said we're going to wing it, and we've always ended up in trouble.
Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.
Did I think it would last 30 years? No, I didn't think it would have those kind of legs.
I didn't live in the world of disco or the world of the Eagles.
I figured the people who liked the sort of thing I was doing would come see it. If it was only 200 then that was alright and if it was 2000 then that is alright as well. I wasn't really interested in the big numbers; I was just interested in some numbers.
I guess a good song is a good song is a good song, ya know.
I knew I had the right material and I knew what I was going after.
I know I'm not going to sing like Aretha Franklin or Elvis Presley or any of those people.
I wanted to write songs that were as good as the covers.
I'm talking like 10, 12 years old. Either junior brings Mom and Pop or Mom and Pop bring the kids. I'm talking young here, not a college drinking crowd.
Look at Gleason in The Honeymooners. He was humorous but the way he lived wasn't really humorous. He was a bus driver. Who wants to be a bus driver? He didn't have any money and he was not famous. But despite that, the show is humorous.
Rounder Records decided to call the album Move It On Over, much to my chagrin but they knew what they were doing. It took off and to this day I can't figure out why.
There are now grandmothers and grandfathers coming to see us because they are of that age, they grew up in the '50s and '60s and they bring their sons and their daughters to hear the songs they heard when they were young.
There is no doubt in my mind who is number one - I have always been number one.