I'll tell you what I would do in a shot if I could. I would sing in the barbershop quartet in The Music Man.
I could name a few songs and say exactly what summer they came out and what boy I thought I was in love with when I was fourteen years old, but I think that music used to be really more a part of the culture when people went out dancing in a different way than they do now.
Falling in Place was meant to be very much rooted in a place and time, and music was a part of that.
When I lived in New York, not only did I have safety locks on the door but I had the music going, keeping the city at a distance, trying to find creative time and peace and so forth.
Well, a few years ago I think I could have given you a more enthusiastic answer about that but in the last few years, for the first time in my life, I really haven't listened to much music. I used to work with music on and now I don't.
I love doing concert music.
I write emotional music.
I've never believed in cheapening music by going according to what some people think is public taste.
Any good music must be an innovation.
You know, they wanted to do a Broadway album and every show was kind of a bomb. There was no music at all.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
Music fathoms the sky.
I love Wagner, but the music I prefer is that of a cat hung up by its tail outside a window and trying to stick to the panes of glass with its claws.
Music is intended and designed for sentient beings that have hopes and purposes and emotions.
I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.