The rest, called literature, is a dossier of human imbecility for the guidance of future professors.
Postmodernism cost literature its audience.
Books are the carriers of civilization. Without books, history is silent, literature dumb, science crippled, thought and speculation at a standstill.
The function of literature, through all its mutations, has been to make us aware of the particularity of selves, and the high authority of the self in its quarrel with its society and its culture. Literature is in that sense subversive.
How do you make any sense of history, art or literature without knowing the stories and iconography of your own culture and all the world's main religions?
I have to keep up with the scientific literature as part of my job, but increasingly I found myself reading things that weren't really relevant to my academic work, but were relevant to gardening.
Literature is my life of course, but from an ontological point of view. From an existential point of view, I like being a teacher.
Literature for me isn't a workaday job, but something which involves desires, dreams and fantasy.
Take the time to discover how African-Americans have had a great impact on this country. In science, education, literature, art, and politics.
I don't think any novelist should be concerned with literature.
Film is our literature, so we should tell stories that are apropos of our culture, in that we can learn something about ourselves.
In the literature of France Moliere occupies the same kind of position as Cervantes in that of Spain, Dante in that of Italy, and Shakespeare in that of England. His glory is more than national - it is universal.
In pure literature, the writers of the eighteenth century achieved, indeed, many triumphs; but their great, their peculiar, triumphs were in the domain of thought.
How far the existence of the Academy has influenced French literature, either for good or for evil, is an extremely dubious question.
English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.