I've got holes in my guitar.
I can play rhythm guitar. I know how to hold a guitar and strum it.
When you tune your guitar in a different way, it lends itself to a new way of looking at your songwriting.
If you can't play it on an acoustic guitar or a grand piano then it's not a song.
Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.
There are a lot of people who can do it on the guitar and sing at the same time, but I think what is harder is bass players that can play the bass and sing.
It's the faster bands that made me want to play guitar, bands like The Jam.
I suppose my little Martin acoustic guitar is quickly becoming a prize possession. It's a lovely guitar. I bought it at the Cambridge Folk Festival in 2001 before I had cleaned up.
Mention Hubert Sumlin, as well, because Hubert's a great man, and again, you know, I don't play the guitar very good, but when I'm playing this kind of music, I always have him in my mind. I wish I could play like Hubert.
A lot of the songs are written on piano or guitar, so I contribute, and I have done so since the beginning. So it's been good to be involved completely musically as well.
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
Owning a handgun doesn't make you armed any more than owning a guitar makes you a musician.
I like to play guitar, jam out, play the blues, go watch movies. I love movies.
I consider myself as a singer first, but something that really helped me come into my own is that there's not a separation between me singing and me playing the guitar. The two fed off the other.
I'm writing new songs for a Broadway version of Tarzan, which is very interesting. I think what I learned from the Brother Bear score side of things, I've brought into the new Tarzan songs. Thinking outside just guitar, bass, drums and keyboards.