I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life.
More than specific memories of achievements, for me I remember the feeling you get when you were just at your very best - when you felt like you were floating across the court and could put the ball wherever you wanted.
It's always been my feeling that God lends you your children until they're about eighteen years old. If you haven't made your points with them by then, it's too late.
It's my feeling that God lends you your children until they're about eighteen years old. If you haven't made your points with them by then, it's too late.
Then came the choreography... the impact of music and choreography tends to really emphasize an overall feeling of what you really want out of the program.
But, when I had this feeling and started painting sacred art, as I had this feeling to do, then it come to me: my problem is I'll get a lot of criticism and another problem is my work's not good enough to sell.
For me concrete poetry was a particular way of using language which came out of a particular feeling, and I don't have control over whether this feeling is in me or not.
I've never felt like I was in the cookie business. I've always been in a feel good feeling business. My job is to sell joy. My job is to sell happiness. My job is to sell an experience.
