That's not the part of the story that I'm interested in, anyway. The part that I'm interested in is all the personal stuff. I tried to base the powers on family archetypes.
I have three kids and a wife, and any moments that aren't dedicated to working on this film in some way, or family, are immediately reserved for sleep.
I support concrete and progressive immigration reform based on three primary criteria: family reunification, economic contributions, and humanitarian concerns.
Social Security is not a retirement savings plan; it is a social insurance program. It's a contract that says, as a society, we will look out for you and your family when you can no longer work.
I walked out of the show business in 1968 because I thought that would be good for the family. It took me some time to decide but I wanted to spend more time with my wife and two daughters who were always beside me. I wanted to do everything I could for them.
I wasn't even 20 at the time, but it taught me something about drugs. They can take a good man, a warm, funny, loving family man, and turn him into a loser and worse.
I have family obligations and all that stuff. I get my kids six weeks in the summer, which is a real intense period of time. I'm with them every minute of the day.
You might think that after thousands of years of coming up too soon and getting frozen, the crocus family would have had a little sense knocked into it.
