You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
From the beginning I thought about working with the body in movement, the space between the body and clothes. I wanted the clothes to move when people moved. The clothes are also for people to dance or laugh.
Many people will say, well, clothes should be worn; but I think people can look at them in public, like seeing a film. I think museum exhibitions are very important.
He was doing - Ray was designing the clothes for my mom's show from California. And one of the first appearances I ever made on television was on my mother's show and Ray and Bob did the clothes for that. It has been a long time.
Clothes and jewellery should be startling, individual. When you see a woman in my clothes, you want to know more about them. To me, that is what distinguishes good designers from bad designers.
Upon the clothes behind the tenement, That hang like ghosts suspended from the lines, Linking each flat, but to each indifferent, Incongruous and strange the moonlight shines.
The first thing that stuck in the minds of the disciples was not the empty tomb, but rather the empty grave clothes - undisturbed in form and position.
I had no accomplishments except surviving. But that isn't enough in the community where I came from, because everybody was doing it. So I wasn't prepared for America, where everybody is glowing with good teeth and good clothes and food.
I can honestly say this industry hasn't made me neurotic about my looks, except maybe my weight. I hope my clothes kind of reflect that. They're meant to make you feel good.
