I see myself and many artists like me as the torchbearers through these dark ages.

Coming from Britain, I was terrified of meeting all these other artists, because artists over there tend to fight with each other a lot, the premise being that there's not enough room for everybody.

So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.

One of the interesting things here is that the people who should be shaping the future are politicians. But the political framework itself is so dead and closed that people look to other sources, like artists, because art and music allow people a certain freedom.

Artists today think of everything they do as a work of art. It is important to forget about what you are doing - then a work of art may happen.

Those nations of artists, finding their own individualism, and kind of standing against the world: to me that's the ultimate nightmare. I want to get lost and diffused in the world.

The more far-out artists, the better.

Artists were nurtured back in the '70s. Their music was developed by the record companies.

I'm developing artists for my new record label, my son's band, Intangible, being one of them.

I will be developing artists for my new label. The rest is in God's Hands.

And I hate to see artists who are real safe. I love to see artists swing for the fences sometimes.

But I just love that music scene so much, and I enjoy really being around those artists and watching them even more than I do performing, because they are a whole group of people that do it because they love music.

The best artists are gone now.

In general, I don't feel artists should need producers.

Art and money are closely related. Try sitting down with a group of artists and ask them what's on their mind. Very quickly the topic shifts to money. And it can be very hard to get them off that subject.