I play, like, 12 instruments. Guitar, piano, harmonica, African drums... I'm working on mastering the accordion.
If I were to call it black music, that would be untrue. I don't know what that is, unless it would be some African drums or something.
I turned pro and won Rookie of the Year on the South African Tour and then it took me two tries at the qualifying school on the European Tour and to get my card and the rest is history.
I was able to do To Sleep with Anger, a very powerful film about African Americans, their spirituality, and the things that happened within a small community and a family.
Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.
Since 1957, black people have experienced double-digit unemployment - in good times and bad times. Look at the population of African Americans in prison. They represent more than half the population of prisoners in the country, 55 percent of those on death row.
The highest percentage of African Americans own their own homes today than ever in our nation's history.
A genocide in Africa has not received the same attention that genocide in Europe or genocide in Turkey or genocide in other part of the world. There is still this kind of basic discrimination against the African people and the African problems.
There is a greater fatigue concerning the African problem today than five or 10 years ago. The situation now in Africa is worse today than it was 10 years ago.
The North African mule talks always of his mother's brother, the horse, but never of his father, the donkey, in favor of others supposedly more reputable.
There's a glorious sense of freedom in comedy, just allowing myself to tell jokes, allowing myself to interrupt myself and tell old African folk stories that I made up - or didn't - and Jamaican stories.
From blood banking to the modern subway, from jazz to social justice, the contributions of African Americans have shaped and molded and influenced our national culture and our national character.
The African-American experience is one of the most important threads in the American tapestry.
We are African in origin and American in birth.
Mbeki began to write a study of the workings of apartheid policy in the reserves - the areas set aside in law for African occupation - as early as 1959 and 1960.