Hope is not the conviction that something will turn out well but the certainty that something makes sense, regardless of how it turns out.
Anyone who takes himself too seriously always runs the risk of looking ridiculous; anyone who can consistently laugh at himself does not.
Modern man must descend the spiral of his own absurdity to the lowest point; only then can he look beyond it. It is obviously impossible to get around it, jump over it, or simply avoid it.
Isn't it the moment of most profound doubt that gives birth to new certainties? Perhaps hopelessness is the very soil that nourishes human hope; perhaps one could never find sense in life without first experiencing its absurdity.
If we are to change our world view, images have to change. The artist now has a very important job to do. He's not a little peripheral figure entertaining rich people, he's really needed.
I think theatre should always be somewhat suspect.
I really do inhabit a system in which words are capable of shaking the entire structure of government, where words can prove mightier than ten military divisions.
Hope is definitely not the same thing as optimism. It is not the conviction that something will turn out well, but the certainty that something makes sense, regardless of how it turns out.
Hope is a state of mind, not of the world. Hope, in this deep and powerful sense, is not the same as joy that things are going well, or willingness to invest in enterprises that are obviously heading for success, but rather an ability to work for something because it is good.
Hope is a feeling that life and work have meaning. You either have it or you don't, regardless of the state of the world that surrounds you.
Even a purely moral act that has no hope of any immediate and visible political effect can gradually and indirectly, over time, gain in political significance.
As soon as man began considering himself the source of the highest meaning in the world and the measure of everything, the world began to lose its human dimension, and man began to lose control of it.
Lying can never save us from another lie.
Drama assumes an order. If only so that it might have - by disrupting that order - a way of surprising.
When a truth is not given complete freedom, freedom is not complete.