When I tested for Billy Budd, I had that kind of confidence that comes with the certainty that you're not going to get something. I was very rough around the edges.
At this point, it's either for fun or it's for money. I don't take movies that I don't really like.
My star was kind of fading towards the end of the '60s and suddenly I got this call from Fellini, who just appeared to kind of love me!
My favorite film is Gene Tierney and Tyrone Power in The Razor's Edge.
It's such a performance to bring stuff into America. It's a great luxury when I am in England.
It wasn't until I saw James Dean that I began to think that maybe I could actually do this. Movies didn't have to be just this fantasy with this impossibly handsome guy.
In the case of Elektra I really wasn't sure I could pull it off. There were so many intellectual leaps. My character, Stick, is blind, but he can see better than most people. So I had trouble kind of finding the logic.
In my youth I dreamed of being an illustrator.
I've never wanted to become a politician, an interior decorator, I've never wanted to speculate and make a load of money. I just wanted this.
What I wanted more than anything was a long career.