It's pretty clear to me that working as a director for hire agrees with me. I like it. The films that have come out of that, I personally like better than the ones that didn't.
I look at other filmmakers and see skills in them that I wish I had but I know that I don't. I feel like I have to work really hard to keep myself afloat, doing what I do. But I find it pleasurable.
When things go right it's hard to figure out why, but when things go wrong it's really easy.
When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.
Warner Bros. has talked about going out with low-cost DVDs simultaneously in China because piracy is so huge there. It will be a while before bigger movies go out in all formats; in five years, everything will.
To me the director's job is to leave it in better shape than you found it, literally.
There are three major social issues that this country is struggling with: education, poverty, and drugs. Two of them we talk about, and one of them we don't.
The ought to be a worldwide cultural taskforce that just stops you when you have ideas like combining The Red Desert with an armored car heist movie.
The key is, if you're not monkeying around with the script, then everything usually goes pretty well.
The great thing about the business is how Darwinian it is. We have to swim or die - if you are found wanting over a period of time, you've either got to change what you're doing or find something else to do.
Reality shows are all the rage on TV at the moment, but that's not reality, it's just another aesthetic form of fiction.
Maybe I'll paint, do photography, just something else. I can see that.
Making a film that's supposed to be fun to watch is really hard - that's the weird irony of it.
Lying is like alcoholism. You are always recovering.
Well, it's 15 years since Sex, Lies And Videotape, and if you hang around long enough you're having the same arguments with just a new set of people every few years and it gets boring.