There is a subconscious way of taking violence as a way of expression, as a normality, and it has a lot of effects in the youth in the way they absorb education and what they hope to get out of life.
I think it's not a femme fatale when someone is not doing it to manipulate men or be like a black widow. She loves him. She does it out of love. She wants him so badly to stay with her.
For me, I have to say that I like to work a lot too, but I like not working better. The perfect scenario is when you just worked and you know something's coming up, then you have four, five, six months off. But you know you're going to have a job later.
There's a lot about the character. It doesn't always happen, but there are some characters you really create a relationship with, almost as if they were your friend. And you never get into their heads again or think like them.
I want to work for a long, long time and keep growing in my work, and if I am very lucky and very blessed, maybe somewhere along the line there will be one movie in there that becomes a classic.
When I first came to Hollywood I was told to go out with an agent because it was good for my career. So I went to a party with him because it was good for my 'career.' Well, he thought the whole thing was a big date. Needless to say, I was very upset.
They offered me that film before I did Frida and I said, no, I'm not capable of directing. Then after seeing Julie direct, I was inspired by it. She motivated me to do it, because we don't have role models as woman for directors.
Some men have a silly theory about beautiful women - that somewhere along the line they'll turn into a monster. That movie gave them a chance to watch it happen.
There has never been a female director who has won an Oscar. There has only been one woman who won at the Cannes Film Festival.
When it is important for you to say something and you find a vehicle to say it, then go for it. It is so rare when that happens so I think every minute spent fighting for it is always worth it. Even if nothing ends up happening, it's still worth the fight.
So you have to keep waiting and then they give you the script and it's terrible. Then you have to go to the rewrite and they're very upset because you didn't like it. I went through that for seven years.
Producing is hell, writing is frustrating, acting is really satisfying, directing is heaven.
If you give me any problem in America I can trace it down to domestic violence. It is the cradle of most of the problems, economic, psychological, educational.
People often say that 'beauty is in the eye of the beholder,' and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves.
My driving abilities from Mexico have helped me get through Hollywood.