At 27, it's great to get to a place where I'm not an actor for hire anymore.
But in a broader sense, when I have more control, I want to expose people to new ideas.
Granted, there are times when, for business reasons, you do something that's more mainstream. But even then, I try to find something that has a dark or subversive aspect.
Home life's great, man. The kids are great, happy and healthy. I've reached this sort of wonderful precipice.
You know, social issue movies don't make a lot of money.
I am miserable when I'm in a movie I'm not proud of and a movie that I don't want to do.
It's nice that people want to compliment you in some superficial way, but I've never considered that that's how I might be categorized. I guess it's better than being called ugly.
LA can be a very open and accepting creative environment. But it is important, because there is this odd separation here, it is important to make your kids mindful of other people and other people's plight.
I won't make a movie for money ever again.
I've written something and I would like to have my first film directed by the time I'm 30.
I want to make movies that people talk about when they leave the theater, that aren't clear-cut, but effective and fulfilling in some sense.
There was a time - before I made movies - when I was more forgiving, but now that I've learned as much as I have, I want to do movies that I want to see, that have their own unique flavor.
I really respond to diversity, a broader landscape, with actors of different ages and races and backgrounds.
I know that when I grew up I was pretty sheltered, and didn't come to understand much about the world until I was in my really late teens and early twenties, and that process continues.
I have three sisters and I've always wanted a brother, so I was really interested in that notion.