My first film goes into production in October. It's called White Boy Shuffle and it's based on a novel about a young black kid and it's sort of reminiscent of Catcher in the Rye.
The point is to expand the scope of what a movie can possibly mean or be, to get people involved because they're artistic or understand the point of the material, not just because they fit a certain bill aesthetically.
The idea of doing something that you've seen a thousand times before doesn't appeal to me.
Tarantino's stuff in its inception was all about finding a way for him to break into Hollywood.
Tarantino's movies, I really enjoy, certainly, and when I was 19 and 20, I was really into them.
People are sheepish when they approach me.
My sisters are my favorite people on earth.
I'm really interested in having a studio one day and being a filmmaker.
Look at music: I've always loved hiphop and rap, and now there's this whole progressive movement, with De La Soul and Mos Def, Common. It's some of the best stuff around.
There's always difficulties and challenges in every life, I don't care how much money you make, where you live... and that's something this film speaks to.
Well actually, some weeks they'll write that I'm jealous of living in her shadow. Then other weeks, they'll write that all I want to do is loaf around on her money! It's ridiculous!
What's more ludicrous is the whole idea of me being jealous and competitive.
Where you raise your children isn't as important as how you raise your children.
A film goes through so many hands, that by the time it's done, it might not resemble what you thought you were making.
A lot of producers cookie cut movies one after another, but I'll be a little more careful, and have the opportunity to be, because I have the acting career to subsidize the producing.