They suggested I should introduce an element of reincarnation in the story. At first, I thought that was silly. But then, this whole time dimension began to fascinate me.
Very good coaches for ski jumpers stand at the top of the slope and watch the jumpers prepare, rather than standing at the bottom and watching them land.
The actor is concerned with his own bit of it, but the director's somehow trying to work the whole thing into a much bigger picture. It's like conducting an orchestra.
Making the City Of Joy gave me the best political education of my life. It became a wrestling match between an Englishman who had gradually ceased to be a Marxist, and a culture that was becoming more Marxist by the day.
