Some people want to call me an Appalachian writer, even though I know some people use regional labels to belittle.
Some people swear by writing courses, but whether it really helps American poetry, I have doubts.
Pound's translation of Chinese poetry was maybe the most important thing I read. Eliot a little bit later.
Poetry, almost by definition, calls attention to its language and form.
Philip Larkin has a tough honesty and sense of humor that I find irresistible, as a contemporary poet.
Part of what we love about poetry is the fact that it seems ancient, that it has an authority of ancient language and ancient form, and that it's timeless, that it reaches back.
Our most famous writers are Faulkner and Eudora Welty and Flannery O'Connor. It would make sense that the poetry would reflect some of those same values, some of the same techniques.
One of the most powerful devices of poetry is the use of distortions. You can go from talking about the way a minute passes to the way a century passes, or a lifetime.
One of the most powerful devices is to distort time, to go from human time to atomic time, geologic time. Sometimes you can actually accomplish that, with one unexpected word choice.
The great watershed of modern poetry is French, more than English.
I write as a way of keeping myself going. You build your life around writing, and it's what gets you through. So it's partly just curiosity to see what you can do.