Young writers only take off when they find their subjects. Since almost everyone has a family and stories about family, that is often a place to start.
Young writers find their first audience in little magazines, and experimental writers find their only audience there.
You have to really dive deep back into yourself and get rid of so much modern analytical categorization. It's one of the great things poetry does.
With prose you can incorporate more details, develop scenes, sustain the tension in a special way. Prose has its own speed.
When you have an idea for a story, you want those characters to reach as many people as you can. I think you normally think of prose as a way of doing that. It fits our time, the culture.
What actually makes poetry poetry is of course impossible to define. We recognize it when we hear it, when we see it, but we can't define it.
We have a lot of long narrative poems written in the 20th century, but they're not very well known, and they're not read by very many people.
The young people have MTV and rock and roll. Why would they go to read poetry? Poetry belongs to the Stone Age. It awakens in us perceptions that go back to those times.
The Language Poets are writing only about language itself. The Ashbery poets are writing only about poetry itself. That seems to me a kind of dead end.
The idea of avant-garde art is a very suspicious thing to me, the idea that poetry is new and it keeps being new the way Chevrolets every year are new.
The Black Mountain poet I like most is the early Creeley. Those early poems seem very lyrical and very traditional, with a lot of voice and character.
The decision to write in prose instead of poetry is made more by the readers than by writers. Almost no one is interested in reading narrative in verse.
One of the biggest changes that ever occurred in my life was going from the isolation of working part-time as a house painter in Henderson County, to Cornell, where everybody was a literary person.
Teaching writing over the years intrudes on your own writing in important ways, taking away some of the excitement of poetry.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.