I didn't have anyone to play with so I made up my own world.
I deliberately did not read anything about the Vietnam War because I felt the politics of the war eclipsed what happened to the veterans. The politics were irrelevant to what this memorial was.
How we are using up our home, how we are living and polluting the planet is frightening. It was evident when I was a child. It's more evident now.
Growing up, I thought I was white. It didn't occur to me I was Asian-American until I was studying abroad in Denmark and there was a little bit of prejudice.
Every memorial in its time has a different goal.
Even though I build buildings and I pursue my architecture, I pursue it as an artist. I deliberately keep a tiny studio. I don't want to be an architectural firm. I want to remain an artist.
Art is very tricky because it's what you do for yourself. It's much harder for me to make those works than the monuments or the architecture.
All my work is much more peaceful than I am.
A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time.
I loved school. I studied like crazy. I was a Class A nerd.
The process I go through in the art and the architecture, I actually want it to be almost childlike. Sometimes I think it's magical.
You should be having more fun in high school, exploring things because you want to explore them and learning because you love learning-not worrying about competition.
You have to have conviction and completely question everything and anything you do. No matter how much you study, no matter how much you know, the side of your brain that has the smarts won't necessarily help you in making art.
You couldn't put me in a social group setting. I'm probably a terrible anarchist deep down.
When I was very little, we would get letters from China, in Chinese, and they' be censored. We were a very insular little family.