Some things you know about, you know what the ingredients are - maybe not all of them. But it's up to you to put in the amount. It's up to the director to nag you until you get it right.
I've figured out what to do so far, but it's always the next thing you come to where the man with the bucket of ice cold water is waiting - whoosh! in your face. That's why you work with directors who know what to tell you to do.
I think you should take your job seriously, but not yourself - that is the best combination.
I think you've got to have your feet planted firmly on the ground, especially in this business, and you must not believe things that are said or written about you, because everything gets out of proportion one way or the other.
I was in Yorkshire. We were a family of five and I used to be sent sometimes to get the rations for the week and I was easily able to carry them back. It was like one egg and a tiny bit of tea.
I work out the other bits, too, but I need to know what I look like, very early on. And then it's like a template; I'll fill that person out. If I get that out of the way, then I'm all right.
It actually was a complete departure having a woman playing M. I didn't realize at the time that it would be so noticed.
My husband was actually very keen that I would become a Bond girl.
The theater is the thing I love doing most.
The Lord Chamberlin was censoring scripts when I first came into the theater.
Sometimes nudity is gratuitous. We just live in a society where everything goes.