And then it was working with Bob Hoskins, who I had never worked with before - except radio. It was like being given a wonderful meal - full of the things you love most.
Since Michael died I think I've worked constantly. Friends and colleagues are very sustaining. They're the people who get you through it... It's no good to be on your own.
I love being part of a company, and telling a story.
I just feel incredibly lucky to be employed when there are so many actors and actresses who are not employed. That's why, you know, I sometimes feel desperate, in case I'm not going to be cast again.
I have no control over a film. I don't know what will be left on the cutting floor.
I don't think anybody can be told how to act. I think you can give advice. But you have to find your own way through it.
I am so thrilled to be nominated for something I loved working on every single day.
Because, you know, I can't work a bicycle pump.
In contrast, the control you have in a theatre is very attractive to me.
I would like to work with Jack Nicholson, before it's too late.
Michael died five years ago this January, and the first thing that really struck me about the script was the part about her peeling off from the funeral and just getting into a rowboat and having a real kind of cry where nobody was.
It's incredibly moving to hear some of our greatest actors performing Shakespeare.
It is true that there are few plays of Shakespeare that I haven't done.
Seriously, though, I think I never ceased to be grateful of the fact that I am able to do a job that I really love - I never got over that.
People think you know beforehand when you win an Oscar - I can assure you you don't.