There's such good people out there where there filmmaking world is alive.
I think I've spent so much time playing characters that are so far away from me and learning how to technically build and how to technically put something on top of you.
I think that often times Hollywood panders to the cliches of small town life, specifically Southern small town life, and I think that this movie does the opposite.
I visited those friends who'd just had a baby, and she was washing dishes and he was cleaning the house, and I burst with happiness. And in their minds, they were in this terrible domestic rut.
I want to be so strong as an actor that people wouldn't say... eh, that's Josh Lucas.
I'll look at the script and I'll try to find as many books, movies, and pieces of music that I think are going to feed each scene or the character as a whole.
I'm challenged by people like Russell Crowe and Sean Penn who come in with such incredible discipline and power.
I'm right at a time when I'm strongly finding my identity inside of my work.
I've worked with some incredibly difficult directors but my understanding is that a lot of the best people are driven from a place of being extremely challenging and dark within their way.
This fear of death infused me with the desire to live, and to live harder.
I love experiencing other people's realities, seeing the world through their eyes for a short period of time.
The Hulk, that was the experience of my life, so far.
So when we finally settled down outside of Seattle I felt totally uncomfortable with that idea.
Once everyone else around you starts to become incredibly comfortable - if anything, quite happy with what you are doing - then I start to settling in and trusting all those choices that I've made up to that point.
On A Beautiful Mind, there was a wall of math.