That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.
It didn't feel difficult at the time because I was so charged up about both books. Afterward, however, I was pretty tired. In a good way, like after a great workout.
We tend to read each other's books in sizeable chunks as they are written. I don't know that you could say we are ruthless with each other - in fact, I suppose we are very kind. There are ways to make suggestions which are not destructive.
Time spent researching varies from book to book. Some novels require months, even years of research, others very little. I try to do most of my research before I begin but inevitably questions emerge during the writing.
These people are real to me, and situations keep coming up where their emergence feels natural. It's like meeting old friends. I hope readers feel the same way.
The key to this collaboration - which we undertook after much deliberation - was to stretch creatively. New characters, new locales, new form (the novella).
That's what's so great about my job. I get paid to do what got me in trouble in grade school space out and play with my imaginary friends. In terms of Isaac, when the time's right.
Each novel is harder than its predecessor because I must work harder at not repeating myself. However, I enjoy the challenge. This is the greatest job in the world.
I don't practice, but I am still officially in paediatrics. I keep in touch with journals, and I have a very good data bank of medical information and there is a key thing for a writer knowing where to go. I know where to go to get the information that I need.
