There's no reason you should write any novel quickly.
There's no reason you shouldn't, as a writer, not be aware of the necessity to revise yourself constantly.
I suppose I'm proudest of my novels for what's imagined in them. I think the world of my imagination is a richer and more interesting place than my personal biography.
I take people very seriously. People are all I take seriously, in fact. Therefore, I have nothing but sympathy for how people behave - and nothing but laughter to console them with.
I think the sport of wrestling, which I became involved with at the age of 14... I competed until I was 34, kind of old for a contact sport. I coached the sport until I was 47. I think the discipline of wrestling has given me the discipline I have to write.
I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.
If you are lucky enough to find a way of life you love, you have to find the courage to live it.
More than a half, maybe as much as two-thirds of my life as a writer is rewriting. I wouldn't say I have a talent that's special. It strikes me that I have an unusual kind of stamina.
No adult in my family would ever tell me anything about who my father was. I knew from an older cousin - only four years older than I am - everything, or what little I could discover about him.
I have pretty thick skin, and I think if you're going to be in this business, if you're going to be an actor or a writer, you better have a thick skin.
There are few things as seemingly untouched by the real world as a child asleep.
Writing a novel is actually searching for victims. As I write I keep looking for casualties. The stories uncover the casualties.
To each other, we were as normal and nice as the smell of bread. We were just a family. In a family even exaggerations make perfect sense.
When I was still in prep school - 14, 15 - I started keeping notebooks, journals. I started writing, almost like landscape drawing or life drawing. I never kept a diary, I never wrote about my day and what happened to me, but I described things.
The building of the architecture of a novel - the craft of it - is something I never tire of.