Because I would just tell everyone it was going to be great and just put that belief in them.
I turned everybody on so, psychologically, I guess I was pushing the boundaries creativity.
I think you do better when you are really up for it, cause passion goes up.
I have to confess that a strong contributing factor was that I had just taken what was probably the first acid ever made, given to me by a guy called Johnny Fellows, who had just returned from America.
I have always had a tremendous amount of energy and any band I was ever in from the age of fourteen, I would always be the one who would describe the future and vibe everyone up.
Guys would hang out in groups just to be with the music.
For me, naming bands was the forerunner to really writing lyrics, because I work off titles.
Far From Home was also my idea from a magazine I'd seen.
After that, I specifically started writing lyrics. I would like sweat and think and get it all together.
But then you have to write a song, so at that point, I picked up the reins and started to write lyrics.
I was half asleep lying there writing this lyric in my head at about 3:30 in the morning. I woke Steve up with this idea and then we went into the living room where there was a little upright piano and finished the song. I wonder where that piano is now?
This kind of music was just hitting England, so we were getting this following in clubs in Birmingham just cause we were trying to do something different.
Everything that Traffic ever did, I'd give Steve a complete lyric, titled, written out with the verse, the bridge, the shape and rhyme and then Steve had to figure out how the meter of the words would fit musically.
We all had a desire and appreciation for such a wide range of music.
You know, I had the ability like a catalyst to really get everybody hyped up.