When you work alone, you need to socialize at some level.
I spend about eight months researching and outlining my book.
So I work hard to present the human side of my characters while not neglecting the plot.
Trying to write books with a subject matter or in a genre or style you're not familiar with is the best way to find the Big Block looming.
When it comes time to write the book itself I'll shut the lights out, picture the scene I'm about to write then close my eyes and go at it. Yes, I can touch type.
You think publishing is tough but the music world is ten times tougher.
To answer that I have to describe what I think is my responsibility as a thriller writer: To give my readers the most exciting roller coaster ride of a suspense story I can possibly think of.
The recent fascination, I think, reflects the shift in approach by law enforcement officials to embrace technology as wholeheartedly as the rest of the world.
In suspense novels even subplots about relationships have to have conflict.
The best way to learn about writing is to study the work of other writers you admire.
Readers are paramount. I live to write books for them.
Of course, I write crime stories, and I have to describe violence and the aftermath of violence.
Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.
My books are primarily plot driven but the best plot in the world is useless if you don't populate them with characters that readers can care about.
It means working harder to do the research but I don't really mind - I don't think I have what it takes to chase criminals through back alleys and wade through blood at crime scenes.