We do not seem to be finding tomorrow's Toscas.
We're in the midst of an evolution, not a revolution.
I can imagine wanting to work with this ensemble and this company always.
What's interesting is that both men and women are struggling with this issue in remarkably similar percentages, but the big difference is that women tend to talk about this when men keep it silent.
When they are performing in front of the public, they ought to have a sensation that's relatively easy, if the technical and the interpretive work was done before.
Where my tastes in music are concerned, I'm a real maximalist.
Women tend to have recognition and peer group support - recognition from friends and family that this has to be a big issue in their lives. They're more comfortable expressing the need for support and receiving it.
Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.
You try on purpose to get players with different qualities which will rub off on one another.
We found that when people put this issue on the table, it turns out that men acknowledge the issue, and employers and employees can work out solutions just as working mothers do.
And, over the last thirty years we have seen men's participation in both housework and childcare has increased and women's have stayed at about the same.
They've really got to recognize that all of us bring some of our family issues to work and our work home.
Great cataclysmic things can go by and neither the orchestra nor the conductor are under the delusion that whether they make this or that gesture is going to be the deciding factor in how it comes out.
And so, little by little, I gradually divested myself of pretty nearly all of the guest conducting I used to do, because I was at the same time working in the places like the Met, where I could work in this sort of depth.
Art has never been a popularity contest.