I enjoy the freedom of the blank page.
I didn't have any concept of Trainspotting being published. It was a selfish act. I did it for myself.
Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.
Basically, particularly in Britain, it's a hegemonic thing that people who write tend to come from the leisure classes. They can afford the time and the books.
I spend so much time on the screen when I am writing, the last thing you want to do is spend more time on the Internet looking at a screen. That's what I hate about all this technology.
It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.
It was around the summer of 1982 when the drug problem really impacted. It became a lifestyle rather than a recreation. When you start lying and stealing, you cannot con yourself you're in control any more.
I'm working on a screenplay right now for the BBC, but I hope to have the decks cleared soon so I can get into the studio with my pals and put down some more tracks, try to get a strong dance single together.
I'm always watching people over a short time frame, putting them in an extreme position. Sometimes you don't see the humanity in a person because the time frame is so short and the circumstance so extreme.
I'd always liked to read, but when I picked up books I wasn't getting the same kind of excitement from them that I was from going out clubbing. I wanted to get the same kind of feel.
I wanted to capture the excitement of house music, almost like a four-four beat, and the best way to do that was to use a language that was rhythmic and performative.
Sometimes there's a snobbery among literary types that these people don't really get it, but in a lot of ways they get it more than the literati. There's a culture in the background that they understand and know. They get that deeper level.
I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.
There's all this stuff that is happening in Edinburgh now, it's a sad attempt to create an Edinburgh society, similar to a London society, a highbrow literature celebrity society.
I think young writers should get other degrees first, social sciences, arts degrees or even business degrees. What you learn is research skills, a necessity because a lot of writing is about trying to find information.