Well, the great thing for me about poetry is that in good poems the dislocation of words, that is to say, the distance between what they say they're saying and what they are actually saying is at its greatest.
Well, I had this little notion - I started writing when I was eleven, writing poetry. I was passionately addicted to it; it was my great refuge through adolescence.
My Life in CIA is the first time that I've ever written a story in my own name.
My mother could never understand why I didn't write a thriller, which I've finally done.
When Niki and I moved to Paris, there was also the challenge of Paris, an extremely daunting city.
My idea was to go to Vienna to study conducting and perhaps play in an orchestra first, so I thought before I got to Vienna I could do with a little training in Paris.
My dream, I remember, when I went to boarding school, was to have a study all my own, a little nook someplace where nobody could get at me - nobody, like the football coach.
Music had been my first love among the arts, and I was fascinated by it, as I still am.
What I said about John was that he liberated me from my anxieties about writing in a correct, acceptable way.