When I had my first voice lesson I was 15 years old. And I had a really good teacher. This is what made all the difference. A good teacher will teach you the technique, but also how to listen to your voice.
Well, what I tried to do is to just listen to my voice, because my voice is my boss. She decides.
Well, I don't think a specific role can destroy your voice. What can destroy your voice is when you... make an error. Everybody can make an error. But then you need to realize what is your way.
When you are accompanied by the instrument - on an instrument like the lute-the lute and voice - you have this sound, and you feel how the music can be so touching and yet so simple.
The voice is an instrument that you really must take time to develop. It's like a good red wine Give it time.
The songs of Bizet are by a French peer of Rossini. When Rossini stopped composing, he was living in Paris. He also wrote some beautiful songs in French.
The restaurants close here in Salzburg. They don't really have a nightlife in the winter time.
The media can be a really strong vehicle.
The goal is always to make a nice tableau painting with the voice. The more color I can find, the more shadow I can find - the goal is always to make more nuance and colors.
The first time I sang with David Daniels... I had never performed with a countertenor before. That first time was magic, it was so beautiful. And he's such a great artist.
So you see, movies are really another dimension.
We consider Monteverdi the first composer of opera. There was someone before, but everything started with Monteverdi.