It's always felt natural, because I'm generally very comfortable with people.
It's a sad man my friend who's livin' in his own skin and can't stand the company.
In the past, some of the songs that were the most fun, and the most entertaining and rocking, fell by the wayside because I was concerned with what I was going to say and how I was going to say it.
In the early years, I found a voice that was my voice and also partly my father's voice. But isn't that what you always do? Why do kids at 5 years old go into the closet and put their daddy's shoes on? Hey, my kids do it.
In America everything's about who's number one today.
If they had told me I was the janitor and would have to mop up and clean the toilets after the show in order to play, I probably would have done it.
I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't.
I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along.
I think that is what film and art and music do; they can work as a map of sorts for your feelings.
I tend to be a subscriber to the idea that you have everything you need by the time you're 12 years old to do interesting writing for most of the rest of your life - certainly by the time you're 18.
No, I always felt that amongst my core fans- because there was a level of popularity that I had in the mid '80s that was sort of a bump on the scale- they fundamentally understood the values that are at work in my work.