Then, when I was a senior in high school, I was kind of bereft and she put me in an acting class.
The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.
The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.
That was always my inclination, to start on a new play before the other one gets done, because at least you'll have something to go back to if that play gets trashed.
Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.
Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.
Plays are so much more special if they've never ever had a production, but I think you can really work on a play and make it better with each production.
Then I went off to Southern Methodist University in Dallas. They had a really wonderful theatre department.