Writers can write outside their ethnicity or sex depending how open and vulnerable they wish to be.
Most comic scriptwriters are very bad. The artists are good, but the writers are so bad.
I've lost track of the number of people who want to be writers but never actually write anything. Talking about writing, dreaming about writing, can be very fun, but it won't get a book written. You've got to write.
I'm more influenced by my own interests than anyone else's. Writers have to entertain themselves, or they can't entertain anyone else.
There's something with the physical size of America... American writers can write about America and it can still feel like a foreign country.
Many children's writers don't have children of their own.
I think most writers feel like they're on the outside looking in much of the time. All of us feel, to a certain extent, alienated from the stuff going on around us.
I have experienced healing through other writers' poetry, but there's no way I can sit down to write in the hope a poem will have healing potential. If I do, I'll write a bad poem.
Writing became an obsessive compulsive habit but I had almost no money so I thought about being an urban firefighter and having lots of free time in which to write or becoming an English teacher and thinking about books and writers on a daily basis. That swayed me.
I was aware that there is an expectation that writers inevitably falter at this stage, that they fail to live up to the promise of their first successful book, that the next book never pleases the way the prior one did. It simply increased my sense of being challenged.
The writers led by Mike Scully are fantastic. And they're creating original stories that not only don't repeat what we've already done, they also don't repeat anything I've seen on television.
We've got a bunch of new writers now who tell me they grew up watching The Simpsons. It's bizarre, and they're writing some very funny stuff.
Since I was there in the very beginning, I know the history of the characters. So, I make comments about the tone and sometimes remind the writers that we've done that before.
A lot of our writers, like Conan O'Brien, moved on to other things.
Our great American writers were all newspaper people.