We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
When Ted Williams was here, inducted into the Hall of Fame 37 years ago, he said he must have earned it, because he didn't win it because of his friendship with the writers. I guess in that way, I'm proud to be in this company that way.
On the other hand, at some level the mass of unresolved issues in Northern Ireland does influence the fact that there are so many good writers in the place.
At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
I suppose that writers should, in a way, feel flattered by the censorship laws. They show a primitive fear and dread at the fearful magic of print.
The ability of writers to imagine what is not the self, to familiarize the strange and mystify the familiar, is the test of their power.
Some Native American writers enjoy being called Native American writers.
Too many of these writers in the music papers, they are misunderstanding everything. The disco sound is not art or anything so serious.
I don't think poetry is something that can be taught. We can encourage young writers, but what you can't teach them is the very essence of poetry.
Young writers only take off when they find their subjects. Since almost everyone has a family and stories about family, that is often a place to start.
Young writers find their first audience in little magazines, and experimental writers find their only audience there.
The decision to write in prose instead of poetry is made more by the readers than by writers. Almost no one is interested in reading narrative in verse.
Our most famous writers are Faulkner and Eudora Welty and Flannery O'Connor. It would make sense that the poetry would reflect some of those same values, some of the same techniques.
Together with script writers Syd green and Dick Hills, we worked on the comedy ideas for this series.
Good writers are monotonous, like good composers. They keep trying to perfect the one problem they were born to understand.