My salvation was a free gift. I didn't have to work for it and it's better than any gold medal that I've ever won.
No artist work is so high, so noble, so grand, so enduring, so important for all time, as the making of character is a child.
The bishops will govern the Church, the priests will do all the work and the deacons will have all the fun.
There are all sorts of reasons why I don't do much work in the theatre, the main one being that after two performances I feel I've given all I can. I hate repetition, I really do. It's like asking a painter to paint he same picture every day of his life.
I didn't set out to make this kind of picture. It just came my way. But its been going on for me for 16 years now and its wonderful for an actor to work consistently. There seems to be an insatiable audience for this type of film.
I would like to see the day when somebody would be appointed surgeon somewhere who had no hands, for the operative part is the least part of the work.
I think the more you expose yourself as a celebrity, the less interesting you are to watch in your work, because if you're putting yourself out there all the time, you're not holding anything back.
The more you expose yourself as a celebrity, the less interesting you are to watch in your work, because if you're putting yourself out there all the time, you're not holding anything back.
Every week it's another opportunity to really make that work and figure out how to make it work better. And I love that it's like theater, too, and the audience, and it's so short. It's only 20 minutes. It's like a haiku or something.
I love Chicago. It's such a great town, and it's got great culture and great history, and it's not as extreme as LA or New York, and it's just- it's hard for me for work, because I don't live and work in the same place and that's tough. But I'm- I love it.
In this business you break a leg and 150 other people are out of work while production is shut down. It's not like you were an accountant and could still work with your leg in a cast.
I work with The National Center on Addiction and Substance Abuse at Columbia University. I sit proudly as one of only two recovering addicts on their board.
The parameters are such that I don't get offered a lot of work. I'm sure most directors hear my list of don'ts and say forget it.
I think I felt that I was very well known for my figure and needed to keep that up for my work. And I regret all of it. I felt fraudulent and very shameful.
All the work built my fame and certainly made me more money, but the toll it took in my home was not good.