I mean, if you are directing actors to do one thing and then directing them to do something else entirely because the one thing you wanted them to do may not work, then you are just shattering their confidence in the project.
I wanted to make sure that the environment of the shooting itself was not that controlled, and the way to go about that course was to work with as small a crew as possible.
It was very important that it be done in such a way that it be executed with complete conviction. If I had done it both ways, if I was trying to cover myself in case it didn't work, then it would have been to no purpose.
Right now my career is totally schizophrenic, because when an American production like Hitchcock Presents asks to see my work I would never dream of showing them my independent films.
These are very subtle things, of course, and I don't expect everyone to pick them up consciously, but I think that there is something there that you must be able to feel, there is an energy at work that I must trust my audience will be able to pick up at some level.
The key thing is, even if you only have a couple of hours a month, those two hours shoulder-to-shoulder, next to one student, concentrated attention, shining this beam of light on their work, on their thoughts and their self-expression, is going to be absolutely transformative, because so many of the students have not had that ever before.
So this is the space during tutoring hours. It's very busy. Same principles: one-on-one attention, complete devotion to the students' work and a boundless optimism and sort of a possibility of creativity and ideas.
And that's actually the brunt of what we do is, people going straight from their workplace, straight from home, straight into the classroom and working directly with the students. So then we're able to work with thousands and thousands more students.
Finally, I also come in recognition of the great work that has been undertaken by the NGOs and UN agencies that have been active for many years here, especially through the local staff and international staff here in Somaliland and in Somalia at large.
Being rewarded for anything other than the quality of their work is the fastest way to screw-up a writer-and it isn't only new ones who suffer from that.
There is so much work to be done to treat gays and lesbians and gay and lesbian couples with the respect that they're entitled to. They deserve, in my judgment, partnership benefits. They deserve to be treated fairly when it comes to adoption and immigration.
If we do the work that we can do in this country, the work that we will do when John Kerry is President, people like Christopher Reeve will get up out of that wheelchair and walk again.
It takes a lot of work to put together a marriage, to put together a family and a home.
Any outfit that has to beg its listeners for money is an organization that has to constantly please its listeners or it will dry up and go away. It shouldn't work when you think about it.
Some are pre-taped interviews because maybe we can't get that person live or maybe we're not sure it's going to work out right so we tape it an hour in advance.