Getting work in theater has always been sort of cyclical.
I mean, there are times when you aren't working, but still believe that work will come.
People who call themselves actors and can't ever get work; they do need to get another profession.
I don't know what people find or like in me, I'm hopelessly commonplace! Current appreciation of my work is a bit highbrow, I've always considered myself a popular artist.
As a rule, software systems do not work well until they have been used, and have failed repeatedly, in real applications.
All I was doing was trying to get home from work.
My only concern was to get home after a hard day's work.
I think maybe the rural influence in my life helped me in a sense, of knowing how to get close to people and talk to them and get my work done.
Work expands so as to fill the time available for its completion.
'All Our Yesterdays' was unquestionably the best work I have ever done. And the reading public stayed away in droves.
I've always tried to be conscious of how I represent women in my work. They don't have to be good or strong women, but they have to be complex.
Every man should have laws of his own, I should think; commandments of his own, for every man has a different set of circumstances wherein to work - or worry.
I've been to the studio several times, and it's not that I'm not happy with what I've got, but each time I come away, I feel that I've learned something that I want to work on.
I've done quite a few adverts. I've also done some presenting and acting work in Spain. I did a lot of Spanish education videos for people wanting to learn English.
If you want to act, you have to devote yourself to it. Send out letters and photos every day, work all the hours under the sun, whatever it takes. If you're not determined, you won't get anywhere.