Of all the objects of hatred, a woman once loved is the most hateful.
A woman should be less concerned about Paris and more concerned about whether the dress she's about to buy relates to the way she lives.
Clothes should look as if a woman was born into them. It is a form of possession, this belonging to one another.
Man is defined as a human being and a woman as a female - whenever she behaves as a human being she is said to imitate the male.
In itself, homosexuality is as limiting as heterosexuality: the ideal should be to be capable of loving a woman or a man; either, a human being, without feeling fear, restraint, or obligation.
One is not born a woman, but becomes one.
One is not born, but rather becomes, a woman.
Society, being codified by man, decrees that woman is inferior; she can do away with this inferiority only by destroying the male's superiority.
Sex pleasure in woman is a kind of magic spell; it demands complete abandon; if words or movements oppose the magic of caresses, the spell is broken.
Quite often my narrator or protagonist may be a man, but I'm not sure he's the more interesting character, or if the more complex character isn't the woman.
I have the worst ear for criticism; even when I have created a stage set I like, I always hear the woman in the back of the dress circle who says she doesn't like blue.
The dogma of woman's complete historical subjection to men must be rated as one of the most fantastic myths ever created by the human mind.
If we can send a man to the moon, then why don't we send a woman?
I wish I had Wonder Woman's magic lasso like her to make people tell the truth.
Pity is the deadliest feeling that can be offered to a woman.