So I concentrated on the rhythmic side of things, and therefore left a lot of holes. I didn't want to use big pad chords everywhere. All of the songs are built up of small melodies and counter melodies all played very rhythmically.
That is a big danger, losing your inspiration. When I work in film and television I try to do each take a little differently. I never want to do the same thing twice, because then you're not being spontaneous, you're just recreating something.
I want people to think of me as a nice person. I really am so blessed. All of this has been a great experience and I thank the American public so much for putting me in this position. I appreciate every second of it.
When I doing dinner theater in high school, I was talking to a woman who had been in the business for a while and I said I want to act, that's all I want to do with my life and she said if you're serious then you need to hone every discipline you can.
The show I did in England catered to a broad range of people. I like that. I don't want nouveau cult status, though I know we've got that sort of audience in the states.
Maybe when I'm 75 and living in the south of France, after everyone I want to bitch about is already dead, then I may want to talk about my life in Hollywood.
The more you participate in our common endeavors, the more successful your work in the factory, mine, wharf or village, in an economic institute or in the arts, in commerce or administration, the sooner we will be where we all want to be.
It was a lot of fun being a child actress. It suited me. I don't think it suits everybody, but I was in it because I had a passion, not because my parents wanted me to make money. If other kids want to do it, and they really like acting, go for it.
